Hearing the Difference.When comparing our pickup to other pickups, the great players hear the difference right away. It seems the better the player, the more excited they get after hearing our pickups in their guitar.Mark Whitfield, the incredible Jazz Guitarist, was attending a show at the Blue Note Jazz Club in New York. He was blown away by the guitar tone he was hearing that night. After the show he approached the Guitarist and asked him how he was getting that amazing tone.The Guitarist on stage that night was the great Leonardo Amuedo. Whitfield that he was playing the Tone Specific Pickups. A few days later Mr. Whitfield ordered a P.A.F.
Set along with another set for his Strat. Upon getting them installed he let us know how much he loved them with the following message “I love what you’ve done to my guitar!!!!” Tone Lessons – Do it Once, Do it Right.If you are here, chances are you are not 100% satisfied with your tone. You’ve invested much time and money finding a guitar that feels and plays good. Now you just need to get a set of Great Pickups that matches the tone you are hearing in your head.Buying pickups is another investment of time and money, but it needs to be done. You can save yourself a lot of grief by doing it right the first time. Stop chasing the tone in your head with cheaply made mass-produced pickups. Get the right set, the first time, then move on with your musical journey.Some players have an idea of what their guitar needs to sound it’s best, others need a little help in deciding.
To help you make an informed decision we’ve posted video’s that show the different models pickups being played by the same guitarist using one amp. Wwe 2k17 direct download. This will help you hear the differences between the models. Handmade in the USA.Our Pickups are made by hand, one at a time, right here in the U.S.A.Our goal is to make the most Dynamic, Warm & Sweetest sounding pickups in the world. All of our pickups go through a very demanding series of tests over several weeks and in various conditions before being approved to ship.They are all designed to work well with a variety of Amps & Effects. From Tube to SS to Digital, these pickups deliver the goods.Now every Guitarist can experience the joy of having vintage voiced pickups tailored for their preferred tonal style without breaking the bank. Unlike the rest of the herd of boutique winders that just wrap wire around a bobbin to achieve a certain Ohm reading, we've taken painstaking path to tonal perfection.
We welcome you to join us on this path. If you are thinking about Great Tele Tones.Think Tone Specific! How to Order. About my shopPAF® is a licensed trademark of DiMarzio Pickups and only used as a descriptive term.Stratocaster®, Strat®, Telecaster® and Tele® are licensed trademarks of Fender Musical Instruments (FMIC), these marks are only used as descriptive terms. Tone Specific is not in any way associated or affiliated with Fender Musical Instruments (FMIC) or DiMarzio Pickups.Tone Specific Guitar Forum 2018 -More links.
Fraghero received an email from a reader who wishes to remain anonymous claiming that the game has been in development for over 4 years and is in fact called Red Dead Redemption 2: Legends Of The West.He also claimed that the game will be coming out in the fall of 2017 and Rockstar Games is going to announce it during E3 (which takes place in June) this year.
Hello Folks,I am about finished with my latest build. It's a 3-string fretless guitar with a resonator cone. I wound a 3-string humbucker for it, but would really like to directly pick up the nice metallic growl of the cone itself (why have a resontator guitar if it sounds like a regular electric guitar?)I'm curious how to go about mounting a (home built) piezo pickup to the guitar? Normally I place them near the bridge plate, but I guess here I would want to place it directly on the cone? Or on the biscuit sitting on top of the cone (directly under the bridge)?I was planning to tinker around with placement with some poster putty before actually epoxy gluing it in place, but at the moment have no idea how to pickup the metallic sound (without a microphone).the second question is, I want to mix the magnetic and piezo signal, but when I first started building I learned the hard way that it sounds terrible with a passive mixer.
(impedance matching problems). I'm considering running a stereo jack and cable, and building a dual op amp buffer for it. Star wars republic at war units.
Run the magnetic into one of the op amps (maybe a TL072 with JFET input), and piezo into the other. Then I could build a little op-amp or transistor overdrive for the magnetic channel, and finally blend it with the clean(ish) piezo signal. Or maybe into another dual op-amp overdrive or distortion (hard clip the magnetic and soft clip the piezo, something like that).Does anyone see a problem with this approach? I would of course put a clamp on the piezo so I don't smoke my amp if the guitar gets knocked over.Thanks for any thoughts on resonator pickups. I tested it with just one string and it's suprisingly loud and sounds pretty mean even 'unplugged'. It would be great to be able to blend the 2 pickups (maybe through 2 volume knobs) so you could go all the way from one or the other, or both full blast. I know there are some commercially available devices for this, but after building the axe it would be fun to build the circuits too.
Hello Folks,I am about finished with my latest build. It's a 3-string fretless guitar with a resonator cone. I wound a 3-string humbucker for it, but would really like to directly pick up the nice metallic growl of the cone itself (why have a resontator guitar if it sounds like a regular electric guitar?)I'm curious how to go about mounting a (home built) piezo pickup to the guitar? Normally I place them near the bridge plate, but I guess here I would want to place it directly on the cone? Or on the biscuit sitting on top of the cone (directly under the bridge)?I was planning to tinker around with placement with some poster putty before actually epoxy gluing it in place, but at the moment have no idea how to pickup the metallic sound (without a microphone).the second question is, I want to mix the magnetic and piezo signal, but when I first started building I learned the hard way that it sounds terrible with a passive mixer. (impedance matching problems).
I'm considering running a stereo jack and cable, and building a dual op amp buffer for it. Run the magnetic into one of the op amps (maybe a TL072 with JFET input), and piezo into the other. Then I could build a little op-amp or transistor overdrive for the magnetic channel, and finally blend it with the clean(ish) piezo signal. Or maybe into another dual op-amp overdrive or distortion (hard clip the magnetic and soft clip the piezo, something like that).Does anyone see a problem with this approach? I would of course put a clamp on the piezo so I don't smoke my amp if the guitar gets knocked over.Thanks for any thoughts on resonator pickups. I tested it with just one string and it's suprisingly loud and sounds pretty mean even 'unplugged'. It would be great to be able to blend the 2 pickups (maybe through 2 volume knobs) so you could go all the way from one or the other, or both full blast.
I know there are some commercially available devices for this, but after building the axe it would be fun to build the circuits too. Click to expand.If it's a home built piezo, home build it for the sound and location. I've used a few piezos on mine. Put it under the saddle if it's a flex pin type (unless it's a spider rez, then you can't). Don't you dare try to mount anything to the cone. If that's the kind of thinking you've got going on, learn more about rez operation first.I've got a spider and a biscuit rez. I've got a flex pin, a contact and an under-tail piece piezo.
I've got two of one model preamp, and another kind besides. I've got a 4 channel mixer sitting here because none of that worked out. You want the real rez sound? Rip a part a couple decent cardioids, yank out the little 2 cm x 2 cm cylinder that's their heart and soul, and rig those right up to your hubcap, or whatever you cover your cone with. Thanks for the info. I never thought of trying to mic the instrument.
Replacing Pickups On Guitar Lesson
The build is a 3-string with a recycled spun aluminum pan (it looks like it may have been one of those bundt or jello mold pans) that will be suspended just from the outer edge, with the bridge mounted at the center. Otherwise free hanging.Jameco sells electret condensor mic elements for under $1 in the 20hZ-1500Hz range which should work (with a little transistor booster). I could then feed that signal, and the humbucker signal into an op-amp mix stage.I want to keep the controls on the instrument simple, so would probably put the gain pots for the op amp and transistor stages on onboard trimmers. (the body of the instrument is hinged in the back, so tweaking the controls would be easy).I wonder if it would sound better to mount the condenser inside the body, or on top of the sound board pointing down towards the resonator disk? I actually dedicated my dissertation to Sir Humphrey (Davy) who was my early scientific hero. Unfortunately my career has not been so successful, either with the science or the ladies.I'm curious if mounting to the biscuit resembles that cool resonator metallic sound, or if it just replicated the vibrations in the wood of the biscuit (so it sounds like a standard acoustic guitar)?
I built a few nice piezo buffers and have several piezos to play with-some rods, disks, etc. To try and find one that worked. Hi, since you are familiar with the operation of Piezo devices do have a look into Piezo film.Once upon a time I saw a demo of a 12' ' music instrument ' speaker being measured with a strip of Piezo film about 10mm wide stuck to the cone from the edge all the way into the dust cap.the signal from the PF strip was the fed into a comparator circuit vs the original un amplified signal. In effect what was going on was that the strip was able to pick upthe distortions caused by the cone itself and inversly add them to the incoming signal.Result, clean sound.
They had it on an A//B switch and the clean up was impressive to say the least.Anyway the point being, the Piezo film is light enough to attach to light resonating surfaces. I got the guitar basically finished. It's in distressed black with a hickory neck and red oak finger board. It's fretless and features a bone nut and saddle.
I had to put on marks for the fret locations as it was just brutal to try and play without at least that.I hope I have a chance to play with the electronics this weekend. I have the 3-string single coil pickup wound, but it will take some playing around to build the op-amp piezo/magnetic blend circuit. Since the back opens, I would mount the electronics (and probably the switch) inside. Maybe even an onboard dirty-boost/overdrive of some kind.